《人民日报社官方贺岁台历》出版，逍遥画派创始人袁竹为封面人物

2022虎年《人民日报社官方贺岁台历》出版，逍遥画派创始人袁竹为封面人物

2021年10月25日，从北京传来好消息：cctv央视书画频道签约画家、中国书画家研究会会员、国家一级美术师、逍遥画派创始人、新华社主管中华人民共和国年鉴社编辑出版《中华人民共和国年鉴》(2019版)入选者袁竹先生，应人民日报社新媒体中心、人民美术组委会的邀请，作为艺术家代表上榜2022壬寅虎年《人民日报社官方贺岁台历》已于日前出版，他与国家最高领导人为封面人物。

2022壬寅虎年《人民日报社官方贺岁台历》共十二页，其中：第一、第二页收录国家最高领导人像和关于文学艺术的重要指示；第三页至第十二页收录逍遥画派创始人袁竹的艺术简历和经典作十多副。

袁竹，别号石竹山人 逍遥画派创始人，四川省德阳市人，cctv央视书画频道签约艺术家、中国书画家研究会会员、国家一级美术师、中国教育联盟艺术教育终身客座教授、北京宣和书画艺术研究院副院长。

Yuan Zhu, founder of Shizhushanren Xiaoyao Painting School, native of Deyang City, Sichuan Province, signed artist of cctv CCTV calligraphy and painting channel, member of Chinese Calligraphy and Painting Research Association, national first-level artist, lifelong visiting professor of art education of China Education Alliance, Beijing Deputy Dean of Xuanhe Academy of Painting and Calligraphy.

新华社主管中华人民共和国年鉴社编辑出版《中华人民共和国年鉴》(2019)入编者，被中国文艺出版社出版《中国美术年鉴》(1949——2020)第二辑收录，封面封底均选登其作品，2019年10月29日，国家版权局颁发作品登记证书，作品版权作为资产包之一组成创艺星球(代码860099)于2019年10月30日在香港国际知识产权交易中心挂牌上市。

Xinhua News Agency is in charge of the People’s Republic of China Yearbook, edited and published “The Yearbook of the People’s Republic of China” (2019), and was included in the second series of “The Yearbook of Chinese Art” (1949-2020) published by China Literature and Art Publishing House. The work, on October 29, 2019, the National Copyright Administration issued a work registration certificate. The copyright of the work, as one of the asset packages, constituted Chuangyi Planet (code 860099), which was listed on the Hong Kong International Intellectual Property Exchange on October 30, 2019.

2020年，享誉全球的福布斯杂志出版世界艺术专刋《艺术福布斯·世界艺坛标榜人物》，其作品也榜上有名。

In 2020, the world-renowned Forbes magazine published the world art monograph “Art Forbes·World Art Figures”, and his works are also on the list.

2021年2月1日，《人民日报》全媒体平台在文化栏目发表长篇作品赏析， 2021年4月，人民日报社主管《人民美术》杂志在多年刊登其多副作品外，发表封面作品。2021年7月27日，《人民美术网》在综合栏目发表作品赏析， 2021年8月4日《时代周刊》新闻栏目中文、英文发表：跨国文化传播视界——2021年度中国国家艺术形象代表人物袁竹； 2021年8月31日，《中国网》客户端发表：2021中国实力派书画人物｜袁竹；2021年8月31日，《中华网》发表：百年光辉·2021最具收藏书画｜袁竹；2021年9月8日，《人民日报》客户端发表：逍遥画派创始人袁竹上榜2022壬寅虎年《人民日报社官方贺岁台历》，2021年9月30日，《国际日报》发表：中国美术馆永久收藏逍遥画派创始人袁竹作品《金牛古道》； 2021年10月9日，《深圳之窗》发表：逍遥画派创始人袁竹两作品在新加坡上拍均已成交；2021年10月11日，《深港在线》发表 ：“广东省十大喜剧新星”安冬收藏逍遥画派创始人袁竹作品《远行》，2021年10月15日，《今日头条》发表：4年身价暴涨16倍，逍遥画派创始人袁竹画作成新宠 ； 2021年10月19日，俄罗斯《真理报》中、俄文发表 ：『中国名家名作出国门』北京与莫斯科——国家德艺双馨艺术家袁竹。

On February 1, 2021, the “People’s Daily” omni-media platform published a long-form work appreciation in the cultural column. In April 2021, the head of the People’s Daily, “People’s Fine Arts” magazine, published a cover work in addition to many of its works published for many years. On July 27, 2021, “People’s Art Network” published work appreciation in the comprehensive column, August 4, 2021, “Times” news column published in Chinese and English: Transnational Cultural Communication Vision-2021 China’s national artistic image representative Yuan Zhu; August 31, 2021, the client of “China.com” published: 2021 Chinese powerful calligraphy and painting figures｜Yuan Zhu; August 31, 2021, “China.com” published: A hundred years of glory, 2021 most collectible paintings and calligraphy｜ Yuan Zhu; September 8, 2021, the “People’s Daily” client published: Yuan Zhu, founder of the Xiaoyao Painting School, is on the list in the 2022 Year of the Tiger “People’s Daily Official New Year Calendar”, September 30, 2021, “International Published by the National Art Museum of China: “The Ancient Road of the Golden Bull” by Yuan Zhu, founder of the Xiaoyao School of Art in the permanent collection; October 9, 2021, “Shenzhen Window” published: Both works by Yuan Zhu, the founder of the Xiaoyao School, were auctioned in Singapore Completed; October 11, 2021, “Shenzhen-Hong Kong Online” published: “Ten Rising Comedy Stars in Guangdong Province” Yuan Zhu, founder of the An Dong Collection, “Traveling”, October 15, 2021, “Today” “Tou Tiao” published: 4 years of worth soaring 16 times, the founder of Xiaoyao Painting School Yuan Zhu’s paintings became a new favorite; October 19, 2021, Russian “Pravda” published in Chinese and Russian: “Chinese famous names make a country” Beijing and Moscow ——Yuan Zhu, a national artist of virtue and art.

他坚持“不忘本来、吸收外来、面向未来”的创作方向，对山水画创作进行新的尝试丶新的探索，用国际视野来发展国画，在继承的基础上进行创新，创造，他提出新时代国画要走创新化、现代化、国际化、未来化之路的理念，并不断寻找山水画创作的突破口，经过多年的实践，新创独树一帜的“豹纹斑”、“牛毛纹”山水皴法，己取得可喜成绩，作品先后在美国纽约、德州丶俄罗斯圣彼得堡和北京等地展出，并入编世界知识出版社《新中国当代书画史》、黑龙江美术出版社《百年经典·中国近当代书画名家选集》和中国文联出版社《致敬经典·中国书画传承代表人物》等70余部画集文献，还入选“一带一路·传世国瓷”和“传世国粹·瓷酒中国”庆祝建国70周年献礼工程，两次制作成国礼。荣获纪念张大千诞辰120周年海内外书画大赛铜奖和首届传承杯国际书画大赛铜奖。

He adheres to the creative direction of “not forgetting the original, absorbing foreigners, and facing the future”, making new attempts and new explorations in the creation of landscape painting, using an international perspective to develop Chinese painting, and innovating and creating on the basis of inheritance. He proposes a new era Chinese painting should follow the concept of innovation, modernization, internationalization, and futureization, and constantly seek breakthroughs in the creation of landscape paintings. After years of practice, the new and unique “leopard pattern” and “cow hair pattern” landscape engraving methods have been achieved. With gratifying results, his works have been exhibited in New York, Texas, St. Petersburg, Russia, and Beijing, etc., and were included in the compilation of World Knowledge Publishing House “New Chinese Contemporary History of Painting and Calligraphy”, Heilongjiang Fine Arts Publishing House “A Hundred Years Classics · Selected Works of Modern and Contemporary Chinese Painting and Calligraphy Masters” He and China Federation of Literary and Art Publishing House “Salute to Classics · Representatives of Chinese Painting and Calligraphy Inheritance” and more than 70 art collections and documents, and were also selected as “One Belt One Road · Handed down Chinese Porcelain” and “Handed down Chinese Quintessence · Porcelain Wine China” to celebrate the 70th anniversary of the founding of the People’s Republic of China. Cheng Guoli. Won the bronze medal in the domestic and overseas painting and calligraphy competitions to commemorate the 120th anniversary of Zhang Daqian’s birth and the bronze medal in the first inheritance cup international painting and calligraphy competition.

已出版个人作品集:《中国书画百家精品集(袁竹卷)》《中国传世名家名作·袁竹作品集》《中国当代艺术名家·袁竹逍遥派画作品集》》 《中国传世名家名作·传承古今系列·袁竹逍遥画派作品集》 《中国当代书画名家袁竹邮册》《中国传世名家名作专题邮册(袁竹)》等。个人简历已收录进《中华人民共和国年鉴》(2019版)、《世界艺术名人录》、《世界非遗文化名录》、《世界文明互鉴》、《国家级非遗传承人大典》、《中国美术年鉴》、《福布斯》、《经典传承》、《百年翰墨》、《百年巨匠》等文献。有200余幅作品被美国、英国、意大利、澳大利亚和北京、上海、天津、台湾、香港、深圳、山东、河南、陕西、江苏、安徽、云南、新疆、四川等地社会名流和藏家收藏，作品先后在四川八益、北京传世水墨 、东兴瀚海、保利厦门、美国杜邦国际拍卖公司上拍，均已成交。

Published personal collections: “Hundred Masterpieces of Chinese Painting and Calligraphy (Yuan Zhujuan)”, “Masterpieces of Yuan Zhu’s Works Handed down in China”, “Collections of Paintings by Chinese Contemporary Artists of Yuan Zhu and Xiaoyao School”, “Masterpieces of Chinese Handed down Masters” ·Inheritance of ancient and modern series·Collection of Yuan Zhu’s Xiaoyao Painting School” “Postal Album of Famous Contemporary Chinese Painting and Calligraphy Yuan Zhu”, “Special Album of Famous Works Handed down in China (Yuan Zhu)” and so on. Resume has been included in the “Annual Book of the People’s Republic of China” (2019 Edition), “Who’s Who in World Art”, “World Intangible Cultural Heritage List”, “World Civilization Mutual Learning”, “National Non-Genetic Inheritor Ceremony”, “China “Art Yearbook”, “Forbes”, “Classic Inheritance”, “Hundred Years of Hanmo”, “Hundred Years of Masters” and other documents. More than 200 works have been collected by celebrities and collectors in the United States, Britain, Italy, Australia and Beijing, Shanghai, Tianjin, Taiwan, Hong Kong, Shenzhen, Shandong, Henan, Shaanxi, Jiangsu, Anhui, Yunnan, Xinjiang, Sichuan and other places. The works have been auctioned successively in Sichuan Bayi, Beijing Handed Ink Painting, Dongxing Hanhai, Poly Xiamen, and DuPont International Auction Company of the United States, all of which have been sold.

2015年12月，作品《长寿图》《山洪》在北京解放军总政治部培训基地，参加《国家名片》当代艺术大家邮册首发式交流展。

In December 2015, the works “Longevity Picture” and “Mountain Torrents” participated in the “National Business Card” contemporary art master stamp launching exchange exhibition at the training base of the General Political Department of the People’s Liberation Army in Beijing.

2016年4月，作品《山村》《荷》《晨雾》参展美国纽约2016.世界艺术博览会，其中《山村》获国际优秀奖;2016年5月28日至6月1日在中国国家画院国展美术中心举办“传承与经典—袁竹国画作品展”;2016年12月，作品《天游》《山村》在世界著名的四大美术院校之一的列宾美术学院展出；

In April 2016, works “Mountain Village”, “Lotus” and “Morning Mist” were exhibited at the 2016 World Art Fair in New York, USA. Among them, “Mountain Village” won the International Excellence Award; from May 28 to June 1, 2016 in the National Academy of Painting in China The Exhibition Art Center held “Inheritance and Classics—Yuan Zhu Chinese Painting Works Exhibition”; in December 2016, the works “Tianyou” and “Mountain Village” were exhibited at the Repin Academy of Fine Arts, one of the four world-famous art academies;

2017年3月，作品《大月亮》《残荷》参加全国人大会议中心举办的“盛世焦点—特邀书画名家献礼全国两会优秀作品联展” ;2017年4月,参加北京保利国际会展中心《中国当代艺术名家邀请展》;

In March 2017, the works “Big Moon” and “Remnant Lotus” participated in the “Focus of the Prosperity-Specially Invited Masters of Painting and Calligraphy Presents the Excellent Works of the National Two Sessions” organized by the National People’s Congress Conference Center; in April 2017, participated in the “China” in Beijing Poly International Convention and Exhibition Center Invitational Exhibition of Contemporary Art Masters”;

2018年1月，作品《逍遥天下》在北京保利国际会展中心举办的 “中国梦文化梦名家名作全国(巡回)展”。2018年10月25日至28日，由文化和旅游部、国家广播电视总局、国家新闻出版署与北京市人民政府共同主办的，以“引领文化产业高质量发展 助推全国文化中心建设”为主题的第十三届中国北京国际文化创意产业博览会在北京举办，主展场位于中国国际展览中心（老馆）。逍遥派画创始人袁竹应邀参展《大海之珠》《海阔凭鱼跃》等。

2018年1月，作品《逍遥天下》在北京保利国际会展中心举办的 “中国梦文化梦名家名作全国(巡回)展”。2018年10月25日至28日，由文化和旅游部、国家广播电视总局、国家新闻出版署与北京市人民政府共同主办的，以“引领文化产业高质量发展 助推全国文化中心建设”为主题的第十三届中国北京国际文化创意产业博览会在北京举办，主展场位于中国国际展览中心（老馆）。逍遥派画创始人袁竹应邀参展《大海之珠》《海阔凭鱼跃》等。

2019年5月，作品《天游》《秋韵》《佛爷山》在成都四川同心文化艺术馆举办的 “中国——荷兰文化交流展”。

2019年6月在美国德州达拉斯举办袁竹个人作品展。

In May 2019, the works “Tianyou”, “Autumn Rhyme” and “Foye Mountain” were held at the “China-Netherlands Cultural Exchange Exhibition” at Chengdu Sichuan Tongxin Culture and Art Museum.

In June 2019, Yuan Zhu’s solo exhibition was held in Dallas, Texas, USA.

独研秘籍 孤标尘外——记著名画家袁竹

Independent research cheats, lonely standard dust outside-remember the famous painter Yuan Zhu

著名书画评论家 史峰

Famous critic of calligraphy and painting Shi Feng

观赏画家袁竹的山水作品，一眼望去，大为不同！其山水的形神绝非范式作为，并没有按照千年以来的“既定技术规范”去写意，而是带着自己独创的“豹纹斑”、“牛毛纹”两大皴法，把山水画成了亘古未见的奇观！由是，观鉴他的山水作品，必有感怀：与众不同，独树一帜，可以令山水之渊妙，代不绝人！

Seeing the landscape works of the painter Yuan Zhu, it is very different at a glance! The form and spirit of its landscape is by no means a paradigm. It does not follow the “established technical specifications” for thousands of years. Instead, it takes its own original two methods of “leopard pattern” and “cow hair pattern” to paint the landscape into an ancient style. Unseen spectacle! Therefore, to appreciate his landscape works, there must be feelings: being different and unique, it can make the abyss of mountains and rivers wonderful, and there will be endless generations!

莫说常人画山水容易限入匠工的窠臼，就算是堂堂名流作山水，也难免有取法拘泥的流弊。比如清代四王画山水，画来画去就是以粉本为上的照画描画，画不出新意，令山水文化在他们的笔墨里处于停滞僵化的状态。反观袁竹画山水，有取法为上的价值观，传统的笔墨功夫历练得炉火纯青，更有得法需自证的精研进取，笔墨当随时代的创新动能如日中天！当然可以令豹纹斑、牛毛纹两大皴法出世既有横空之姿态！

Not to mention that ordinary people painting landscapes tend to be confined to the craftsman’s arrogance. Even if the celebrities make landscapes, they will inevitably have the disadvantages of applying the law. For example, the four kings in the Qing Dynasty painted landscapes, and the paintings and paintings were based on powder-based photographs. They couldn’t draw new ideas, and the landscape culture was in a stagnant and rigid state in their pen and ink. On the other hand, Yuan Zhu’s landscape paintings have the values of taking the method as the top priority. The traditional brush and ink kung fu experience is so perfect, and there is more intensive research and enterprising that needs to be self-certified. Of course, you can make the leopard spots and ox-hair patterns appear as the two great methods!

皴法起于五代，荆浩皴笔可作浩莽雄奇，成熟于两宋，范宽皴法可作钢打铁铸，米家雨点皴法可见氤氲气象！皴法作为表达中国山水画质感的独特技法，经由千年的流变与沉积，成为画法要义。无论是斧劈皴还是折带皴法，抑或是刮铁皴、雨点皴，并不能把所有的山水体貌都做出一一对应的表达。

The method of burning began in the Five Dynasties, Jing Haozhen’s pen can be used as a magnificent and magnificent, mature in the Song Dynasty, Fan Kuanzhu method can be used for steel and iron casting, Mijia rain spot burning method can be seen in the weather! As a unique technique to express the texture of Chinese landscape paintings, the method of painting has become the essence of painting after thousands of years of change and deposition. Whether it is the axe splitting method or the band-folding method, or the scraping of iron and raindrops, it is not possible to make a one-to-one expression of all landscapes.

自然是无穷之物象，皴法当然在师造化的过程中，需要不断的创新与特殊的山水风貌去对应！袁竹观南国特域山水的苍与润，知道旧有皴法不能把观鉴独特山水的视觉经验作出惟妙惟肖的复建。所以他致力于新皴法的琢磨构建，经历了无数次的改进与适应，豹纹斑可以写意山水作品里植被与山岩相间互隐的空间效果，牛毛纹则重点处理了山水边界与云天边际相融相和的玄妙效果！

Nature is an infinite object. Of course, in the process of cultivating good fortune, it requires constant innovation and special landscape features! Yuan Zhu observes the greenness and moistness of the special landscapes of the southern country, knowing that the old method of refining cannot recreate the visual experience of viewing the unique landscapes in a vivid way. Therefore, he devoted himself to the study and construction of the new method, and has experienced countless improvements and adaptations. Leopard spots can express the spatial effect of vegetation and mountains and rocks in freehand landscape works, and the cow hair pattern focuses on the boundary of mountains and waters and the marginal phase of clouds and sky. The mysterious effect of harmony!

山水有其道，画山水而用豹纹斑与牛毛纹，正是袁竹画山水道法自然的证见！他是一位极有写生才华的艺术家，观天悟道，牛毛纹与豹纹斑事实上是妙写天垂相的秘籍！其斑其纹，恰是对天地运行机理的塑造。从这个角度看袁竹山水的新皴法，就可以理解外师造化中得心源的创作智慧。唯有艺术智者，才可能创建远取诸物，近取诸身的皴笔新法门！从这个角度来讲，袁竹画山水，除了有山水文化古今相续的基本核心，还有独与天地精神往来的洒脱自如。由是，他创建逍遥画派就是一个水到渠成的结果，也是可以惊艳画坛的必然！

Landscape has its own way. Painting landscapes with leopard spots and cow hair patterns is the proof of Yuan Zhu’s natural method of painting landscapes! He is an extremely talented artist in sketching, and he understands the sky, and the cow hair pattern and leopard pattern are in fact the secrets of writing the sky! Its mottling is precisely the shaping of the operation mechanism of heaven and earth. Looking at Yuan Zhu’s new approach to landscapes from this point of view, one can understand the creative wisdom derived from the creation of foreign teachers. Only an artistic wise man can create a new method of taking everything from a distance and taking everything close to the body! From this perspective, Yuan Zhu’s landscape paintings not only have the basic core of the continuity of the ancient and modern landscape culture, but also the free and easy way to communicate with the spirit of heaven and earth. Therefore, the creation of the Xiaoyao School of Painting was a natural result, and it is also an inevitable result that can amaze the art world!

独研秘籍，孤标尘外。为技法宝库贡献一种新皴法，足可以大著其名，可载史册。袁竹山水新创两种皴法，功可扛鼎！所以他的山水作品不但有技法创新层面上的价值，更有文人画山水可以夺物象之精神的文化功勋。挂一件他的作品在厅堂，雅俗共赏，蓬荜生辉。大家大作，真实不虚！

Independent research cheats, lonely and dusty. Contributing a new method to the treasury of skills can be well-known and can be recorded in the annals of history. Yuan Zhu Shanshui created two new methods of engraving, and he can do great work! Therefore, his landscape works not only have the value of technical innovation, but also the cultural feat of literati painting the landscape can win the spirit of the image. Hanging a piece of his work in the hall, the elegant and popular are appreciated together, and it is brilliant. Everyone is a masterpiece, true and true!

2021年8月28日

August 28, 2021

明心见性画逍遥——记著名画家袁竹

Seeing the Heart and Seeing the Nature, Painting Carelessly——A Record of the Famous Painter Yuan Zhu

著名书画评论家 罗成

Famous critic of calligraphy and painting Luo Cheng

因为工作的关系，日常里会有不停看画的机会。画看得多了，如果是雷同，就会觉得乏味。如果不能适情切意，说实话看画也是一很劳神累心的事情。在看画之前，总是有种期待：能看到不一样的，令人大振心颜的东西。但是希望总是很大，失望却是多多。因为现在许多人画画法无新意，意无新成，套路的东西特别多。

Because of work, there will be opportunities to watch paintings in daily life. I have seen a lot of paintings, and if they are the same, they will feel boring. If you can’t be considerate, looking at the paintings can be very tiring to be honest. Before looking at the paintings, there is always a kind of expectation: to see different and uplifting things. But hope is always great, but disappointment is great. Because now many people have no new ideas in their painting methods, and there are so many routines.

当看到画家袁竹的作品之后，顿时就有眼前一亮的感觉。因为他画的山水、情景画、荷花等都画出了新气象、采用了新形式，主旨思想也有着不一般的独特性。可以这样说，遇到袁竹的画，你就感受到天地是新的，眼前的一切都是新的。所以就对他的画有了这样的判断“这是丹青创新的新经典”。果不其然，这些有新形式、新主旨绘画作品，是逍遥派创始人袁竹的佳作！能称为一派新作，当然会有独特的，别人不能复制的表现力！

When I saw the work of the painter Yuan Zhu, I immediately felt like my eyes lit up. Because his landscape paintings, scene paintings, lotus flowers, etc. have all painted new atmospheres and adopted new forms, the main ideas are also unique. It can be said that when you encounter Yuan Zhu’s paintings, you will feel that the world is new, and everything in front of you is new. Therefore, he has such a judgment on his paintings, “This is a new classic of Danqing’s innovation.” Sure enough, these paintings with new forms and new themes are masterpieces by Yuan Zhu, the founder of the Xiaoyao School! Can be called a group of new works, of course, there will be unique expressiveness that others cannot copy!

逍遥画的创作灵魂应该是“明心见性”的意识表达。画画的目的不是为了完成一幅画，而是要通过笔墨的铺陈去表达一段情绪，诠释一份哲学观！如果画画仅是为了画画，那么这是匠工，或者叫画奴。无论是匠工还是画奴，是没有文化建树的，也不会有依画逍遥的大自在。反观袁竹的画，会有一个创作的心理因由，或者称为因缘吧。画是“果”，情为“因”，在情感的推动下去创作《大月亮》，当然就会有仰观宇宙之大的逍遥了。或是在情感中渲染《残荷》悲情的东西是没有的，俯察万类之象的逍遥倒成了不住色声香味触法的禅心。

The creative soul of Xiaoyao paintings should be the conscious expression of “clear mind and nature”. The purpose of painting is not to complete a picture, but to express a certain emotion and interpret a philosophical view through the use of pen and ink! If painting is only for painting, then this is a craftsman, or painting slave. Whether it is a craftsman or a painting slave, there is no cultural contribution, and there will be no great freedom of painting. On the other hand, Yuan Zhu’s paintings have a psychological reason for their creation, or it may be called karma. Painting is “fruit” and love as “cause”. When creating “Big Moon” under the impetus of emotion, of course, there will be the great freedom of looking up at the universe. Or there is nothing to express the sadness of “Remnant Lotus” in emotion. The carefreeness of looking over all kinds of things has become a Zen mind that can’t hold back the sound, smell and touch the law.

逍遥画要的是技法，依的是修养！从技法上来看，袁竹的画有对传统笔墨技法的全息传承，骨法用笔、应物象形。气韵生动、随类赋彩。还有经营位置的精彩，也有传移摹写的精研。六法执掌，炉火纯青。在传承传统技法的同时，他又进行了皴法的创新，独创豹纹斑与牛毛纹的山水新皴法，画出了山水的奇异而成奇观！引起了画法学术的关注，让他在画坛赢得了很充足的影响力。当然，这种影响力已经随着他的艺术修养，转化成了可以惊艳全世界的市场新动力！

What Xiaoyao painting needs is technique, and it depends on self-cultivation! From the technical point of view, Yuan Zhu’s paintings have a holographic inheritance of traditional brush and ink techniques, and the bone technique uses brushes and corresponds to the pictograms of objects. The charm is vivid, and the color is in accordance with the category. There is also the excitement of the business location, as well as the fine research of the transfer and copying. The six methods are in charge, and the fire is perfect. While inheriting the traditional techniques, he has also innovated the method of engraving. He created the new engraving method of the landscape with leopard spots and cow hair patterns, drawing the strangeness of the landscape into a spectacle! It has aroused the attention of the academic painting method, and has won him a lot of influence in the painting circle. Of course, this kind of influence has been transformed into a new driving force that can surprise the world with his artistic accomplishment!

目前他的绘画作品在艺术品市场上都有高段位的价值体现，很多大的专业艺术机构，都收藏他的作品，以便为绘画艺术的新发展、新成就结下重要的金环。当然，他也带着文化弘扬的信念，让他的作品在大江南北、在世界各地推介中国传统文化的魅力，让绘画作品承载东方审美的软实力。从一名画家，到一位文化活动家，袁竹不断拓展着逍遥画派的影响力，同时也为笔墨当承时代的责任做出了先锋表达以及鼎级建树！

At present, his paintings have high-ranking value in the art market. Many large professional art institutions collect his works in order to form an important golden circle for the new development and new achievements of painting art. Of course, he also carries the belief in cultural promotion, allowing his works to promote the charm of traditional Chinese culture across the country and around the world, allowing his paintings to carry the soft power of Eastern aesthetics. From a painter to a cultural activist, Yuan Zhu continued to expand the influence of the Xiaoyao School of Painting, and at the same time made pioneering expressions and top achievements for the responsibility of the era!

2021年8月28日

August 28, 2021

笔酣墨畅，循于心境——记著名画家袁竹

The brush is vigorous and smooth, following the state of mind——A record of the famous painter Yuan Zhu

著名书画艺术评论家史国澳

Famous critic of calligraphy and painting art Shi Guoao

欣赏袁竹先生的众幅丹青作品，可以发现他的画作总是处于一种非常平静的状态。平和的笔墨舒展，绘制出了致雅的山河形态，恣意的心境挥洒，构建出了淋漓的自然美境，而这种创作境界的形成，是源自于先生常年来对山川万物的深度理解，更是源自于他对笔墨功夫的极致磨炼！扎根古韵，升华己风，在面对自然和艺术时，他没有选择俗气的照搬方式，而是以超高的审美学识，外加深厚的笔墨造诣，让自然和艺术进行了完美的交融！所以，先生所展现出的艺术情怀，更多的是一种对心灵本源的发掘探索，而这种深度的探索，也无疑是对他的丹青作品起到了很深的创作意义……

Appreciating the many Danqing works of Mr. Yuan Zhu, you can find that his paintings are always in a very calm state. The peaceful strokes and inks draw out the elegant mountains and rivers, and the willful mood swings to construct a dripping natural beauty. The formation of this creative realm stems from the in-depth understanding of the mountains and all things by the husband over the years. It comes from his extreme training of pen and ink skills! Taking root in ancient rhyme and sublimating his own style, when facing nature and art, he did not choose tacky copying methods. Instead, he used super-high aesthetic knowledge and deep pen and ink skills to perfectly blend nature and art! Therefore, the artistic sentiment displayed by the husband is more of an exploration of the origin of the soul, and this in-depth exploration undoubtedly has a deep creative significance for his Danqing works…

观赏者可以在袁竹先生的作品中感受到传统墨法的无限魅力，亦可以品鉴到他在山水面貌上所做出的风格转变！他以鲜明的山水特质、浓郁的时代韵味、新颖的构绘精神，创作出了一幅幅令人可赞可叹的新时代山水！其作品在当今画坛中，更是能掀起一股艺术的浪潮，新奇山水，耳目一新！

Viewers can feel the infinite charm of traditional ink technique in Mr. Yuan Zhu’s works, and they can also appreciate the style changes he made in the appearance of landscapes! With his distinctive characteristics of landscapes, rich flavor of the times, and novel spirit of composition, he has created a picture of amazing new era landscapes! His works can even set off a wave of art in today’s painting circles, with novel landscapes and freshness! 画中的笔墨技法，以浓厚润和为主，外加先生所创独的“豹纹斑”、“牛毛纹”等皴法，令整个的山水画展现出了可喜的绝妙视感，而在一些外廓边缘的处理上，先生则是用淡墨去营构，边缘轮廓与实体对比明显，无论是明暗的变化还是深浅的转换，都极具空间张力，通幅画面也由此达到一种淡雅悠韵的艺术效果。以此来看整幅的山体意象，真可谓是有浓厚而不显拖沓，具清逸而不显轻浮，实是将山水的朴实之处完美的呈现了出来！

The brush and ink technique in the painting is mainly moist and smooth, plus the unique “leopard pattern” and “cow hair pattern” created by Mr., so that the entire landscape painting shows a gratifying and wonderful sense of sight, and in some outlines In the treatment of the edges, the gentleman uses light ink to construct the structure. The edge outline and the solid contrast are obvious. Whether it is the change of light or shade or the conversion of depth, there is great spatial tension, and the overall picture also achieves a light and elegant charm. Artistic effect. Looking at the entire image of the mountain from this, it can be said that it is thick and not procrastinated, and it is clear and not frivolous, and it perfectly presents the simplicity of the landscape!

在一些作品的构型上，先生则是剥离了传统的山水法制，转而以一种象意的形式来构建山水，那如似幻想的意象造型，正与真实的自然山水相吻合，只需进行一些巧妙的个人转换，即能让自然风景变成心中风景，似象非象，似意非意，氤氲积淀，云飞水动，真乃源于自然，而又回归于自然，源于心境，而又回归于心境！所以在初观之时，多数人可能都会看不懂，但是久观之后，却又能令人深陷其中！另外在山水的细节方面上，其树木溪流的经营位置也是非常独到，时作渡舟蓑衣人，时作青山白石路，山水意趣可谓饱满十足，灵韵不凡！

In the configuration of some works, the husband has stripped away the traditional legal system of landscape, and instead constructs landscape in a form of imagery, which is like fantasy imagery, which is consistent with the real natural landscape. Carrying out some ingenious personal transformations can turn the natural scenery into the scenery of the mind. It is like image but not image, like meaning but not meaning, accumulation of clouds and water, and the truth comes from nature, and it returns to nature and comes from the state of mind. , And return to the state of mind! So when you first observe, most people may not understand it, but after a long time, you can get stuck in it again! In addition, in terms of the details of the landscape, the business location of the trees and streams is also very unique, sometimes as a boat crossing, and sometimes as a green mountain and white stone road, the landscape can be described as full of interest and extraordinary charm!

笔酣墨畅，循于心境。只有了解了袁竹先生的艺术理念和作品，人们才会发现他是一位真正的山水革新者！画中那清灵的山水气象，那动人的优润格局，无一不是在证明着先生的笔墨深功！而他那一幅幅无与伦比的绝美风景，更是在当今画坛中留下了极具标志性的艺术篇章！

The pen is vigorous and smooth, and follows the state of mind. Only by understanding Mr. Yuan Zhu’s artistic concepts and works can people discover that he is a true landscape innovator! The clear landscapes and the moving patterns in the paintings all prove the profound skill of Mr.’s pen and ink! And his unparalleled and beautiful landscapes have left a very iconic chapter of art in today’s painting circles!

2021年8月22日 于览艺斋

August 22, 2021 Yulan Yizhai

芳心泊砚田,终得上上品

The heart is in the inkstone field, and it will finally be top grade

书画评论家 桑干

Painting and calligraphy critic Sang Gan

当代著名书画家袁竹先生,自有非凡的笔墨才华,又有追逐传统文化真谛的不辍磨练。

袁竹先生作丹青,以山水为题材,心感自然,化生触动。笔为山水著,心在清凉亭。在痛快铺陈的笔墨里,行运文人丹青的神充气足。干皴湿染写意重山复岭,笔笔相映,笔笔相生,是独与天地精神往来的哲学表现。画内是精湛的技法,画外是东方文化的余韵悦神。画以修心,书以畅志,芳心泊砚田,终得上上品!

Mr. Yuan Zhu, a well-known contemporary calligrapher and painter, has his own extraordinary talent in pen and ink, and he has continuous training in pursuit of the true essence of traditional culture.

Mr. Yuan Zhu made the Danqing, taking landscape as the theme, feeling natural and touching by metaplasia. The pen is written by mountains and rivers, and the heart is in the clear pavilion. In the happily laid-out pen and ink, the travel literati Dan Qing’s spirit is filled with inflated feet. Dry and wet dyed freehand brushwork repeats the mountains and ridges, and the brushes and brushes reflect each other, which is a philosophical expression of the spirit of interaction with heaven and earth alone. Inside the painting is the superb technique, and outside the painting is the lingering charm of Eastern culture. Painting to cultivate your heart, books to express your ambition, and your heart to settle in the inkstone field, you will eventually get top grade!

袁竹先生的画作，都因为笔墨生动的酝酿，生机盎然，充满生命力，他用画笔表达对自然的热爱。这些风格的形成，有后天笔墨锤炼的成果，更有天性的使然，尽抒自然性灵的笔墨情趣，灵动得如露垂草尖，清纯得如空净无尘。

Mr. Yuan Zhu’s paintings are full of vigor and vitality because of the vivid brewing of pen and ink. He expresses his love for nature with his brushes. The formation of these styles is the result of acquired pen and ink tempering, and it is more natural to express the natural and spiritual pen and ink taste, as agile as the tip of a weeping grass, and as pure as empty and dust-free.

袁竹先生的作品笔墨的气韵生动，技巧灵活熟练都达到了更上一层楼的艺术效果。 给人带来一种美的享受，大自然的磅礴隽秀、精湛艺术的高超使人看起来有种身临其 境之感，仔细品味，便可以陶冶情操。

Mr. Yuan Zhu’s works are vivid in brush and ink, and they have achieved a higher level of artistic effect with flexibility and proficiency. It gives people a kind of enjoyment of beauty. The majestic beauty of nature and the superb art make people look immersive. If you taste it carefully, you can cultivate your sentiment.

袁竹，别号石竹山人 逍遥画派创始人，四川省德阳市人，cctv央视书画频道签约艺术家、中国书画家研究会会员、国家一级美术师、中国教育联盟艺术教育终身客座教授、北京宣和书画艺术研究院副院长。

Yuan Zhu, founder of Shizhushanren Xiaoyao Painting School, native of Deyang City, Sichuan Province, signed artist of cctv CCTV calligraphy and painting channel, member of Chinese Calligraphy and Painting Research Association, national first-level artist, lifelong visiting professor of art education of China Education Alliance, Beijing Deputy Dean of Xuanhe Academy of Painting and Calligraphy.

新华社主管中华人民共和国年鉴社编辑出版《中华人民共和国年鉴》(2019)入编者，被中国文艺出版社出版《中国美术年鉴》(1949——2020)第二辑收录，封面封底均选登其作品，2019年10月29日，国家版权局颁发作品登记证书，作品版权作为资产包之一组成创艺星球(代码860099)于2019年10月30日在香港国际知识产权交易中心挂牌上市。

Xinhua News Agency is in charge of the People’s Republic of China Yearbook, edited and published “The Yearbook of the People’s Republic of China” (2019), and was included in the second series of “The Yearbook of Chinese Art” (1949-2020) published by China Literature and Art Publishing House. The work, on October 29, 2019, the National Copyright Administration issued a work registration certificate. The copyright of the work, as one of the asset packages, constituted Chuangyi Planet (code 860099), which was listed on the Hong Kong International Intellectual Property Exchange on October 30, 2019.

2020年，享誉全球的福布斯杂志出版世界艺术专刋《艺术福布斯·世界艺坛标榜人物》，其作品也榜上有名。

In 2020, the world-renowned Forbes magazine published the world art monograph “Art Forbes·World Art Figures”, and his works are also on the list.

2021年2月1日，《人民日报》全媒体平台在文化栏目发表长篇作品赏析， 2021年4月，人民日报社主管《人民美术》杂志在多年刊登其多副作品外，发表封面作品。2021年7月27日，《人民美术网》在综合栏目发表作品赏析， 2021年8月4日《时代周刊》新闻栏目中文、英文发表：跨国文化传播视界——2021年度中国国家艺术形象代表人物袁竹； 2021年8月31日，《中国网》客户端发表：2021中国实力派书画人物｜袁竹；2021年8月31日，《中华网》发表：百年光辉·2021最具收藏书画｜袁竹；2021年9月8日，《人民日报》客户端发表：逍遥画派创始人袁竹上榜2022壬寅虎年《人民日报社官方贺岁台历》，2021年9月30日，《国际日报》发表：中国美术馆永久收藏逍遥画派创始人袁竹作品《金牛古道》； 2021年10月9日，《深圳之窗》发表：逍遥画派创始人袁竹两作品在新加坡上拍均已成交；2021年10月11日，《深港在线》发表 ：“广东省十大喜剧新星”安冬收藏逍遥画派创始人袁竹作品《远行》，2021年10月15日，《今日头条》发表：4年身价暴涨16倍，逍遥画派创始人袁竹画作成新宠 ； 2021年10月19日，俄罗斯《真理报》中、俄文发表 ：『中国名家名作出国门』北京与莫斯科——国家德艺双馨艺术家袁竹。

On February 1, 2021, the “People’s Daily” omni-media platform published a long-form work appreciation in the cultural column. In April 2021, the head of the People’s Daily, “People’s Fine Arts” magazine, published a cover work in addition to many of its works published for many years. On July 27, 2021, “People’s Art Network” published work appreciation in the comprehensive column, August 4, 2021, “Times” news column published in Chinese and English: Transnational Cultural Communication Vision-2021 China’s national artistic image representative Yuan Zhu; August 31, 2021, the client of “China.com” published: 2021 Chinese powerful calligraphy and painting figures｜Yuan Zhu; August 31, 2021, “China.com” published: A hundred years of glory, 2021 most collectible paintings and calligraphy｜ Yuan Zhu; September 8, 2021, the “People’s Daily” client published: Yuan Zhu, founder of the Xiaoyao Painting School, is on the list in the 2022 Year of the Tiger “People’s Daily Official New Year Calendar”, September 30, 2021, “International Published by the National Art Museum of China: “The Ancient Road of the Golden Bull” by Yuan Zhu, founder of the Xiaoyao School of Art in the permanent collection; October 9, 2021, “Shenzhen Window” published: Both works by Yuan Zhu, the founder of the Xiaoyao School, were auctioned in Singapore Completed; October 11, 2021, “Shenzhen-Hong Kong Online” published: “Ten Rising Comedy Stars in Guangdong Province” Yuan Zhu, founder of the An Dong Collection, “Traveling”, October 15, 2021, “Today” “Tou Tiao” published: 4 years of worth soaring 16 times, the founder of Xiaoyao Painting School Yuan Zhu’s paintings became a new favorite; October 19, 2021, Russian “Pravda” published in Chinese and Russian: “Chinese famous names make a country” Beijing and Moscow ——Yuan Zhu, a national artist of virtue and art.

他坚持“不忘本来、吸收外来、面向未来”的创作方向，对山水画创作进行新的尝试丶新的探索，用国际视野来发展国画，在继承的基础上进行创新，创造，他提出新时代国画要走创新化、现代化、国际化、未来化之路的理念，并不断寻找山水画创作的突破口，经过多年的实践，新创独树一帜的“豹纹斑”、“牛毛纹”山水皴法，己取得可喜成绩，作品先后在美国纽约、德州丶俄罗斯圣彼得堡和北京等地展出，并入编世界知识出版社《新中国当代书画史》、黑龙江美术出版社《百年经典·中国近当代书画名家选集》和中国文联出版社《致敬经典·中国书画传承代表人物》等70余部画集文献，还入选“一带一路·传世国瓷”和“传世国粹·瓷酒中国”庆祝建国70周年献礼工程，两次制作成国礼。荣获纪念张大千诞辰120周年海内外书画大赛铜奖和首届传承杯国际书画大赛铜奖。

He adheres to the creative direction of “not forgetting the original, absorbing foreigners, and facing the future”, making new attempts and new explorations in the creation of landscape painting, using an international perspective to develop Chinese painting, and innovating and creating on the basis of inheritance. He proposes a new era Chinese painting should follow the concept of innovation, modernization, internationalization, and futureization, and constantly seek breakthroughs in the creation of landscape paintings. After years of practice, the new and unique “leopard pattern” and “cow hair pattern” landscape engraving methods have been achieved. With gratifying results, his works have been exhibited in New York, Texas, St. Petersburg, Russia, and Beijing, etc., and were included in the compilation of World Knowledge Publishing House “New Chinese Contemporary History of Painting and Calligraphy”, Heilongjiang Fine Arts Publishing House “A Hundred Years Classics · Selected Works of Modern and Contemporary Chinese Painting and Calligraphy Masters” He and China Federation of Literary and Art Publishing House “Salute to Classics · Representatives of Chinese Painting and Calligraphy Inheritance” and more than 70 art collections and documents, and were also selected as “One Belt One Road · Handed down Chinese Porcelain” and “Handed down Chinese Quintessence · Porcelain Wine China” to celebrate the 70th anniversary of the founding of the People’s Republic of China. Cheng Guoli. Won the bronze medal in the domestic and overseas painting and calligraphy competitions to commemorate the 120th anniversary of Zhang Daqian’s birth and the bronze medal in the first inheritance cup international painting and calligraphy competition.

已出版个人作品集:《中国书画百家精品集(袁竹卷)》《中国传世名家名作·袁竹作品集》《中国当代艺术名家·袁竹逍遥派画作品集》》 《中国传世名家名作·传承古今系列·袁竹逍遥画派作品集》 《中国当代书画名家袁竹邮册》《中国传世名家名作专题邮册(袁竹)》等。个人简历已收录进《中华人民共和国年鉴》(2019版)、《世界艺术名人录》、《世界非遗文化名录》、《世界文明互鉴》、《国家级非遗传承人大典》、《中国美术年鉴》、《福布斯》、《经典传承》、《百年翰墨》、《百年巨匠》等文献。有200余幅作品被美国、英国、意大利、澳大利亚和北京、上海、天津、台湾、香港、深圳、山东、河南、陕西、江苏、安徽、云南、新疆、四川等地社会名流和藏家收藏，作品先后在四川八益、北京传世水墨 、东兴瀚海、保利厦门、美国杜邦国际拍卖公司上拍，均已成交。

Published personal collections: “Hundred Masterpieces of Chinese Painting and Calligraphy (Yuan Zhujuan)”, “Masterpieces of Yuan Zhu’s Works Handed down in China”, “Collections of Paintings by Chinese Contemporary Artists of Yuan Zhu and Xiaoyao School”, “Masterpieces of Chinese Handed down Masters” ·Inheritance of ancient and modern series·Collection of Yuan Zhu’s Xiaoyao Painting School” “Postal Album of Famous Contemporary Chinese Painting and Calligraphy Yuan Zhu”, “Special Album of Famous Works Handed down in China (Yuan Zhu)” and so on. Resume has been included in the “Annual Book of the People’s Republic of China” (2019 Edition), “Who’s Who in World Art”, “World Intangible Cultural Heritage List”, “World Civilization Mutual Learning”, “National Non-Genetic Inheritor Ceremony”, “China “Art Yearbook”, “Forbes”, “Classic Inheritance”, “Hundred Years of Hanmo”, “Hundred Years of Masters” and other documents. More than 200 works have been collected by celebrities and collectors in the United States, Britain, Italy, Australia and Beijing, Shanghai, Tianjin, Taiwan, Hong Kong, Shenzhen, Shandong, Henan, Shaanxi, Jiangsu, Anhui, Yunnan, Xinjiang, Sichuan and other places. The works have been auctioned successively in Sichuan Bayi, Beijing Handed Ink Painting, Dongxing Hanhai, Poly Xiamen, and DuPont International Auction Company of the United States, all of which have been sold.

2015年12月，作品《长寿图》《山洪》在北京解放军总政治部培训基地，参加《国家名片》当代艺术大家邮册首发式交流展。

In December 2015, the works “Longevity Picture” and “Mountain Torrents” participated in the “National Business Card” contemporary art master stamp launching exchange exhibition at the training base of the General Political Department of the People’s Liberation Army in Beijing.

2016年4月，作品《山村》《荷》《晨雾》参展美国纽约2016.世界艺术博览会，其中《山村》获国际优秀奖;2016年5月28日至6月1日在中国国家画院国展美术中心举办“传承与经典—袁竹国画作品展”;2016年12月，作品《天游》《山村》在世界著名的四大美术院校之一的列宾美术学院展出；

In April 2016, works “Mountain Village”, “Lotus” and “Morning Mist” were exhibited at the 2016 World Art Fair in New York, USA. Among them, “Mountain Village” won the International Excellence Award; from May 28 to June 1, 2016 in the National Academy of Painting in China The Exhibition Art Center held “Inheritance and Classics—Yuan Zhu Chinese Painting Works Exhibition”; in December 2016, the works “Tianyou” and “Mountain Village” were exhibited at the Repin Academy of Fine Arts, one of the four world-famous art academies;

2017年3月，作品《大月亮》《残荷》参加全国人大会议中心举办的“盛世焦点—特邀书画名家献礼全国两会优秀作品联展” ;2017年4月,参加北京保利国际会展中心《中国当代艺术名家邀请展》;

In March 2017, the works “Big Moon” and “Remnant Lotus” participated in the “Focus of the Prosperity-Specially Invited Masters of Painting and Calligraphy Presents the Excellent Works of the National Two Sessions” organized by the National People’s Congress Conference Center; in April 2017, participated in the “China” in Beijing Poly International Convention and Exhibition Center Invitational Exhibition of Contemporary Art Masters”;

2018年1月，作品《逍遥天下》在北京保利国际会展中心举办的 “中国梦文化梦名家名作全国(巡回)展”。2018年10月25日至28日，由文化和旅游部、国家广播电视总局、国家新闻出版署与北京市人民政府共同主办的，以“引领文化产业高质量发展 助推全国文化中心建设”为主题的第十三届中国北京国际文化创意产业博览会在北京举办，主展场位于中国国际展览中心（老馆）。逍遥派画创始人袁竹应邀参展《大海之珠》《海阔凭鱼跃》等。

2018年1月，作品《逍遥天下》在北京保利国际会展中心举办的 “中国梦文化梦名家名作全国(巡回)展”。2018年10月25日至28日，由文化和旅游部、国家广播电视总局、国家新闻出版署与北京市人民政府共同主办的，以“引领文化产业高质量发展 助推全国文化中心建设”为主题的第十三届中国北京国际文化创意产业博览会在北京举办，主展场位于中国国际展览中心（老馆）。逍遥派画创始人袁竹应邀参展《大海之珠》《海阔凭鱼跃》等。

2019年5月，作品《天游》《秋韵》《佛爷山》在成都四川同心文化艺术馆举办的 “中国——荷兰文化交流展”。

2019年6月在美国德州达拉斯举办袁竹个人作品展。

In May 2019, the works “Tianyou”, “Autumn Rhyme” and “Foye Mountain” were held at the “China-Netherlands Cultural Exchange Exhibition” at Chengdu Sichuan Tongxin Culture and Art Museum.

In June 2019, Yuan Zhu’s solo exhibition was held in Dallas, Texas, USA.

独研秘籍 孤标尘外——记著名画家袁竹

Independent research cheats, lonely standard dust outside-remember the famous painter Yuan Zhu

著名书画评论家 史峰

Famous critic of calligraphy and painting Shi Feng

观赏画家袁竹的山水作品，一眼望去，大为不同！其山水的形神绝非范式作为，并没有按照千年以来的“既定技术规范”去写意，而是带着自己独创的“豹纹斑”、“牛毛纹”两大皴法，把山水画成了亘古未见的奇观！由是，观鉴他的山水作品，必有感怀：与众不同，独树一帜，可以令山水之渊妙，代不绝人！

Seeing the landscape works of the painter Yuan Zhu, it is very different at a glance! The form and spirit of its landscape is by no means a paradigm. It does not follow the “established technical specifications” for thousands of years. Instead, it takes its own original two methods of “leopard pattern” and “cow hair pattern” to paint the landscape into an ancient style. Unseen spectacle! Therefore, to appreciate his landscape works, there must be feelings: being different and unique, it can make the abyss of mountains and rivers wonderful, and there will be endless generations!

莫说常人画山水容易限入匠工的窠臼，就算是堂堂名流作山水，也难免有取法拘泥的流弊。比如清代四王画山水，画来画去就是以粉本为上的照画描画，画不出新意，令山水文化在他们的笔墨里处于停滞僵化的状态。反观袁竹画山水，有取法为上的价值观，传统的笔墨功夫历练得炉火纯青，更有得法需自证的精研进取，笔墨当随时代的创新动能如日中天！当然可以令豹纹斑、牛毛纹两大皴法出世既有横空之姿态！

Not to mention that ordinary people painting landscapes tend to be confined to the craftsman’s arrogance. Even if the celebrities make landscapes, they will inevitably have the disadvantages of applying the law. For example, the four kings in the Qing Dynasty painted landscapes, and the paintings and paintings were based on powder-based photographs. They couldn’t draw new ideas, and the landscape culture was in a stagnant and rigid state in their pen and ink. On the other hand, Yuan Zhu’s landscape paintings have the values of taking the method as the top priority. The traditional brush and ink kung fu experience is so perfect, and there is more intensive research and enterprising that needs to be self-certified. Of course, you can make the leopard spots and ox-hair patterns appear as the two great methods!

皴法起于五代，荆浩皴笔可作浩莽雄奇，成熟于两宋，范宽皴法可作钢打铁铸，米家雨点皴法可见氤氲气象！皴法作为表达中国山水画质感的独特技法，经由千年的流变与沉积，成为画法要义。无论是斧劈皴还是折带皴法，抑或是刮铁皴、雨点皴，并不能把所有的山水体貌都做出一一对应的表达。

The method of burning began in the Five Dynasties, Jing Haozhen’s pen can be used as a magnificent and magnificent, mature in the Song Dynasty, Fan Kuanzhu method can be used for steel and iron casting, Mijia rain spot burning method can be seen in the weather! As a unique technique to express the texture of Chinese landscape paintings, the method of painting has become the essence of painting after thousands of years of change and deposition. Whether it is the axe splitting method or the band-folding method, or the scraping of iron and raindrops, it is not possible to make a one-to-one expression of all landscapes.

自然是无穷之物象，皴法当然在师造化的过程中，需要不断的创新与特殊的山水风貌去对应！袁竹观南国特域山水的苍与润，知道旧有皴法不能把观鉴独特山水的视觉经验作出惟妙惟肖的复建。所以他致力于新皴法的琢磨构建，经历了无数次的改进与适应，豹纹斑可以写意山水作品里植被与山岩相间互隐的空间效果，牛毛纹则重点处理了山水边界与云天边际相融相和的玄妙效果！

Nature is an infinite object. Of course, in the process of cultivating good fortune, it requires constant innovation and special landscape features! Yuan Zhu observes the greenness and moistness of the special landscapes of the southern country, knowing that the old method of refining cannot recreate the visual experience of viewing the unique landscapes in a vivid way. Therefore, he devoted himself to the study and construction of the new method, and has experienced countless improvements and adaptations. Leopard spots can express the spatial effect of vegetation and mountains and rocks in freehand landscape works, and the cow hair pattern focuses on the boundary of mountains and waters and the marginal phase of clouds and sky. The mysterious effect of harmony!

山水有其道，画山水而用豹纹斑与牛毛纹，正是袁竹画山水道法自然的证见！他是一位极有写生才华的艺术家，观天悟道，牛毛纹与豹纹斑事实上是妙写天垂相的秘籍！其斑其纹，恰是对天地运行机理的塑造。从这个角度看袁竹山水的新皴法，就可以理解外师造化中得心源的创作智慧。唯有艺术智者，才可能创建远取诸物，近取诸身的皴笔新法门！从这个角度来讲，袁竹画山水，除了有山水文化古今相续的基本核心，还有独与天地精神往来的洒脱自如。由是，他创建逍遥画派就是一个水到渠成的结果，也是可以惊艳画坛的必然！

Landscape has its own way. Painting landscapes with leopard spots and cow hair patterns is the proof of Yuan Zhu’s natural method of painting landscapes! He is an extremely talented artist in sketching, and he understands the sky, and the cow hair pattern and leopard pattern are in fact the secrets of writing the sky! Its mottling is precisely the shaping of the operation mechanism of heaven and earth. Looking at Yuan Zhu’s new approach to landscapes from this point of view, one can understand the creative wisdom derived from the creation of foreign teachers. Only an artistic wise man can create a new method of taking everything from a distance and taking everything close to the body! From this perspective, Yuan Zhu’s landscape paintings not only have the basic core of the continuity of the ancient and modern landscape culture, but also the free and easy way to communicate with the spirit of heaven and earth. Therefore, the creation of the Xiaoyao School of Painting was a natural result, and it is also an inevitable result that can amaze the art world!

独研秘籍，孤标尘外。为技法宝库贡献一种新皴法，足可以大著其名，可载史册。袁竹山水新创两种皴法，功可扛鼎！所以他的山水作品不但有技法创新层面上的价值，更有文人画山水可以夺物象之精神的文化功勋。挂一件他的作品在厅堂，雅俗共赏，蓬荜生辉。大家大作，真实不虚！

Independent research cheats, lonely and dusty. Contributing a new method to the treasury of skills can be well-known and can be recorded in the annals of history. Yuan Zhu Shanshui created two new methods of engraving, and he can do great work! Therefore, his landscape works not only have the value of technical innovation, but also the cultural feat of literati painting the landscape can win the spirit of the image. Hanging a piece of his work in the hall, the elegant and popular are appreciated together, and it is brilliant. Everyone is a masterpiece, true and true!

2021年8月28日

August 28, 2021

明心见性画逍遥——记著名画家袁竹

Seeing the Heart and Seeing the Nature, Painting Carelessly——A Record of the Famous Painter Yuan Zhu

著名书画评论家 罗成

Famous critic of calligraphy and painting Luo Cheng

因为工作的关系，日常里会有不停看画的机会。画看得多了，如果是雷同，就会觉得乏味。如果不能适情切意，说实话看画也是一很劳神累心的事情。在看画之前，总是有种期待：能看到不一样的，令人大振心颜的东西。但是希望总是很大，失望却是多多。因为现在许多人画画法无新意，意无新成，套路的东西特别多。

Because of work, there will be opportunities to watch paintings in daily life. I have seen a lot of paintings, and if they are the same, they will feel boring. If you can’t be considerate, looking at the paintings can be very tiring to be honest. Before looking at the paintings, there is always a kind of expectation: to see different and uplifting things. But hope is always great, but disappointment is great. Because now many people have no new ideas in their painting methods, and there are so many routines.

当看到画家袁竹的作品之后，顿时就有眼前一亮的感觉。因为他画的山水、情景画、荷花等都画出了新气象、采用了新形式，主旨思想也有着不一般的独特性。可以这样说，遇到袁竹的画，你就感受到天地是新的，眼前的一切都是新的。所以就对他的画有了这样的判断“这是丹青创新的新经典”。果不其然，这些有新形式、新主旨绘画作品，是逍遥派创始人袁竹的佳作！能称为一派新作，当然会有独特的，别人不能复制的表现力！

When I saw the work of the painter Yuan Zhu, I immediately felt like my eyes lit up. Because his landscape paintings, scene paintings, lotus flowers, etc. have all painted new atmospheres and adopted new forms, the main ideas are also unique. It can be said that when you encounter Yuan Zhu’s paintings, you will feel that the world is new, and everything in front of you is new. Therefore, he has such a judgment on his paintings, “This is a new classic of Danqing’s innovation.” Sure enough, these paintings with new forms and new themes are masterpieces by Yuan Zhu, the founder of the Xiaoyao School! Can be called a group of new works, of course, there will be unique expressiveness that others cannot copy!

逍遥画的创作灵魂应该是“明心见性”的意识表达。画画的目的不是为了完成一幅画，而是要通过笔墨的铺陈去表达一段情绪，诠释一份哲学观！如果画画仅是为了画画，那么这是匠工，或者叫画奴。无论是匠工还是画奴，是没有文化建树的，也不会有依画逍遥的大自在。反观袁竹的画，会有一个创作的心理因由，或者称为因缘吧。画是“果”，情为“因”，在情感的推动下去创作《大月亮》，当然就会有仰观宇宙之大的

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